Design Thinking (DT)

Q; What do you think the world become after covid 19 is over? Explain in one paragraph.

I think we can understand our situation – and what might lie in our future – by looking at other crises. My research focuses on the fundamentals of the modern economy: global supply chains, wages, and productivity. I squint at the way that economic dynamics contribute to challenges like climate transpiration and low levels of mental and physical health among workers. I have argued that we need a very variegated kind of economics if we are to build socially just and ecologically sound futures.

Q; Give me a list of ten user objects that will become useless or obsolete in the post-Covid19 world

• Gold
• Tourism and leisure
• marriage halls
• electronics
• Toys
• furniture
• Manufacturing (Non-Essentials)
• Restaurants 
• Gym 
•  Branded cloths
• Q; List of five objects that will become more important in the post-covid 19 world:
• • Mask
  • Sanitizes or soap
  • Money
  • food stroge
  • 
    
  • Medicines
  •  Online Shopping

Observation (OB3)

TIP TOLAND:

Tip Toland is a Ceramic Artist,

a hyper-realistic sculptor.

Born in America Pottstown in 1950.

BACKGROUND
Tip Toland (born May 9, 1950) is an American ceramic artist and teacher who was born in Pottstown, Pennsylvania.

Tip was born in an American family having 2 sisters and a younger brother, she never got the attention she wanted, her mom and dad knew at a very early age that she is very talented and put her up with pastel classes.While studying in high school she also attended art school and she was very interested in the line quality..

 At the age of 14 her mother sent her to the boarding school.She knew her mother don't want her. Her mother had a very bossy nature and she make decisions for the family and no one is allowed to say a word , she confronted her, denied her decisions.Boarding was a thrust of independence for her, she decided who she wants to be.She said "Goodbye Debbie(her real name),i'm gonna be Tippy or Tip and that's the new me. " 

Tip has a very different ideas and she thinks and act very differently toward things people call her psycho.she got eating disorders,she did know what was actually emotionally going on; she just wants to

get over it. after completing boarding,she went to Washington DC, in 1969 when the war was going on,She was really interested in protesting for war she thinks it was as important as going to art school. s

She even got involved in drugs, as all of that was very new to her. She was even admitted to a mental hospital for 6 weeks. 

EDUCATION

1975

 B.F.A., Ceramics, University of Colorado, Boulder,

 CO

1981

M.F.A., Ceramics, Montana State University, 

Bozeman, MT

 ART WORK

The hyper realism of Toland’s figures emanates from her attention to detail and unique utilization of materials. Utilizing an encaustic technique, Toland engenders a waxy finish for the skin that mimics authentic flesh. She even goes so far as to incorporate genuine human hair into the works. The porcelain ocular perceivers engender a doll-like realism that is both haunting and entrancing, while punctiliously defined wrinkles, skin tone, tooth enamel, and bone structure, are remarkably authentic.

Materials and Techniques

She uses paint, 

stoneware clay

chalk pastels

synthetic hairs

 Porcelain

mix media

 gold leaf

 Charcoal

 encaustic technique and hair to create figures with "uncanny skin quality, utterly convincing hand gestures and eerily spontaneous facial expressions.

Size of Toland's Work

African child with Albinism 3

stoneware clay, paint , chalk pastel, synthetic hair

30" H x 28" W x 19" D

Painting the Burning Fence

stoneware, paint, pastels, synthetic hair

28” H, 19” W, 22” D

 Her  three-dimensional stoneware sculptures are proximate to life size, sometimes more astronomically immense. Toland addresses in her work that -the scale of which draws one into hyperbolized intimacy with her subjects- and her artist verbalization. you can optically discern the size of her sculpture's in the pictures given below:

Beauty Parlor

clay, paint, chalk pastel

22" H x 22" W x 16" D

Artist's Statement  

“My work is an attempt to give voice to inner psychological and/or spiritual states of being. What is of primary importance to me is that the figures contain particular aspects of humanity which they can mirror back to the viewer. It’s the vulnerability of Humanity I am after. That is one reason for choosing very old or very young subjects. They both can portray innocence as well as extreme complexity

"

Introduction to colour
             

                                                         Hue Color Test 

                                                           Munsell Hue Test

Observation (OB2)

RON MUCEK

HANS RONALD MUECK

Mueck is a hyper-realistic sculptor, 

Born in capital of Australia (Melbourne) 

 in 1958 to German parents.

BACKGROUND

Born in 1958 to German parents in Melbourne, Australia, Ron Mueck grew up in the family business of puppetry and doll-making.He worked initially as a creative director in Australian children's television, before moving to America to work there in film and advertising.In 1996, he was asked by Paula Rego to make a small figure of Pinocchio for her group exhibition Spellbound: Art and Film, at the Hayward Gallery, London

Mueck first came to public attention with his sculpture "Dead Dad". This portrayal of his recently deceased father - at roughly half-scale and made from memory and imagination – was included in the 1997 exhibition Sensation at the Royal Academy of Arts, London.

EDUCATION

He has studied in the Royal Academy Of Arts.

WORK

The first thing  I descried about Ron Mueck's sculptures is hyper-realism ... it looks homogeneous to genuine skin that you optate to reach out and touch. The wrinkles, hair, and even the stubble are all very cogent. However, in Mueck's sculpture, it's the range of sizes and scale that transforms this work - since everything is either more minuscule or more astronomically immense than life, the scale alters the realism and entices the viewer with a sense of wonder.

(Some of the examples of his sculpture's sizes are)

A sculpture entitled "Mask II" by sculptor Ron Mueck, at the San Ildefonso Museum in Mexico City, on September 20, 2011

 Mueck spends a long time, sometimes more than a year, creating each sculpture.

 Old Women in Bed

2000

silicone rubber, polyester resin, cotton, polyurethane foam, 

polyester and oil paint

24 x 94.5 x 56 cm

Techniques and Materials

Resin, fiberglass, silicone, polyester resin, silicon rubber, nylon, aluminium, wood, steel, mix media, acrylic, synthetic hair, synthetic polymer paint, polyurethane, styrens, cotton, horse hair, plywood,steel, clay, shellac, hard dental plaster, aluminium and oil paints.

 His earlier pieces were sculpted with fiber glass.

  Recently he has begun to workshaping body parts and implanting hair. with silicon, which is more flexible ,ease in

PROCESS 

 " MAKING THE BABY "

 point of view

Mueck’s subjects are mundane people, often in vulnerably susceptible states. His subjects have included newborn babies, an enceinte woman and middle-aged men.Mueck’s sculptures are some of the most widely acclaimed, prominent and identifiable works in the international contemporary art arena. Often unclad and suspended in states of self-consciousness, introspection or deep contemplation, his figures present both emotional and physical states of exposure. His work reflects everyday experience and  potently capture a sense of inner life, at times tense, tired, vulnerably susceptible, or threatening. The artist’s unique cumulation of profound realism and distortion draws on art history while grounding his work in the contemporary. Mueck does not optate to depict our life as something better than it authentically is. He wants us to optically discern all the realities, the genuine struggles and genuine issues in his work, he does not optate to make fake interpretations that obnubilate the truth, sweeping it under the rug of mendacity. Mueck often aims to present his characters in key moments of their imagined lives, covering the inscrutable moments such as birth and death. Ron draws upon his own recollections, dreams and everyday experiences in order to portray his subjects with extraordinary commiseration, injecting remotely of his own personality into every piece he consummates. His conceptions derived from explorations of the imagination or sodalities.

2 : Assignment

سوال: لیکچر میں دو ایسی ٹرمز (رنگ سے متعلق الفاظ) استمعال کیے گئے  ہیں جن کا مطلب تقریباً ایک ہی ہے۔وہ الفاظ کیا ہیں؟

جواب : ہیو اور کروما.

Introduction to color

Assignment: 1

سوال ؛ پانچ جملوں میں بتایے کہ کیوں کچھ لوگوں کو لباس نیلا لگ رہا تھا جبکہ کچھ کو سفید؟

میری رائے،،

نقطہ نظر کے بارے میں ہر شخص کی مختلف رائے ہوتی ہے ,جیسا کہ ہم نے مطالعہ کیا ہے,کہ سفید روشنی یا کسی اور روشنی کا اثر بہت سے لوگوں کے نیلے رنگ کو دیکھنے کے رنگ پر پڑتاہے۔کچھ لوگ اسے سفید دیکھتے ہیں کیوں کہ وہاں نیلے رنگ سے سفید تک کا نظارہ زیادہ واضح ہوتا ہے۔روغن مختلف طریقوں سے مختلف ہوتا ہے.

گھر رہیں ، سلامت رہیں